Posts

Showing posts from October, 2019

Foon Sham Reception

Image
Foon Sham: Reception      by: Kristen Koczot '20         The Julio Fine Arts Gallery held the reception for Foon Sham: Sea of Hope  on October 24, 2019. Many guests came to visit this memorable display Foon Sham built and created in memory of his mother who passed away from cancer. During the reception, new boats were added to the display, each carrying a message which will be added to Foon's collection and will later be read. Many people were intrigued and moved by the powerful message this display left them. Personally, it took me a few days to get the courage to write a boat for this display, but a brief talk with Foon at the beginning of the reception gave me the push to create and write a message. Many of the guests who attended the reception had a moment to speak with Foon. He shared how he collected and saved every boat he received from people around the world. He makes it his mission to read each one when he folds the boats up when closing a display or when he is l

Reaction to Sea of Hope by Josh Chrobak

This week marks the opening of Foon Sham's Sea of Hope, which is an installation in homage to his mother who passed away from cancer in 2002. The wooden vessel is in the shape of a boat, which will help carry his mothers spirit into the afterlife. Surrounding the installation are origami boats with messages that viewers from all over the world have written to their loved ones. Sham has displayed this installation in Hong Kong, Macau, Australia and the United States; With each installation his collection of origami boats grows, and therefore the "Sea of Hope" grows. I am currently enrolled in the Professional Practices class here at Loyola, and we were fortunate enough to help Foon Sham install Sea of Hope  and hear him speak about his experience with building and displaying this work all throughout the world. He spoke about how the vessel is so large that it would be extremely expensive to send it from continent to continent, so he built a different vessel in the US, Ho

A Deeper Look

Image
This week marks the closing of Stelae by René Triviño. Because of this I want to take a moment to reflect on the amazing pieces we’ve been seeing. Specifically my favorite piece of the collection, entitled Embrace 1.  It is a piece I can clearly see from my seat at the desk and have consequently spent hours of my time this week studying. Something about it calls out to me, the way two bodies are entwined and almost look as they are one, the flow and twist of their bodies, it’s intriguing and I feel I could look at for hours on end. This time spent looking at the piece has been very beneficial to understanding it and coming to my own definition of the piece, which to me is the most important thing about art, not only the meaning behind it to the artist but also the meaning to the viewer.  Sometimes we are able to resonate with the artists meaning behind the art but sometimes we have such different life experiences that we can’t resonate with the arts meaning. When this h

All About the Details

Each time I have walked in the gallery these past few weeks, I have been in awe. When it comes to any type of art, an artist works hard on the details. But Stelae by René Treviño is something else. The amount of detail that was put into each work is incredible. No matter how many times I look at the giant pink wall full of flies or any of the work on leather, I find something I hadn't seen before. As an artist myself, I applaud René for the time and patience it took him to do this. Each of the over 1000 flies is so intricately detailed with gold and rhinestones and meticulously placed on the wall creating a pattern that creates an aesthetically pleasing display. The amount of time it took boggles my mind, but if no one has told him before, it was worth every second. On the bigger pieces, I love the intense detail that was put into each one with the glitter and color. Each accent is placed perfectly and adds so much to the work. The use of multimedia with paint, stitchings, le